If you’re a synth fan (especially Moog modular) and enjoy creating unique experimental sounds, you may also be pleased to discover Max Brand. I’m actually a fan of experimental music, but I’d never heard of him before. “I discovered Max Brand and his music just this year, through our connection with Clemens and Dr.
Moozak has generously donated 25 of these CDs to the Bob Moog Foundation and they are now available as a gift with a $30 donation here. This is one of the very few times that Max Brand’s music has been made available for distribution and the first time other musicians have performed on this prototype instrument. This CD of experimental music composed for this custom instrument includes both the music of Moozak resident artists (Clemens Hausch, Benedikt Guschlbauer, Gerald Krist and Uli Kühn) and, thanks to the support of Dr. In August, Moozak released Kabelbrand: Sounds from the Max Brand Synthesizer. Below, you will find a more detailed history of Max Brand and the Moogtonium, written by Clemens. Together we have pieced together what must have transpired between the musician and the toolmaker in this instance. Helmuth Schwarzjirg who is in charge of the Max Brand archives. Clemens has generously shared information from the Brand archives, thanks to the support of Dr. Incredibly, they had recently gained access to the Max Brand Archives in Austria, and to the Moogtonium or Max Brand synthesizer as they commonly refer to it.īrian began a correspondence with Clemens Hausch, one of the members of Moozak, only to find out that the group was in the midst of producing a CD with music composed on the Moogtonium.
#Japji sahib meaning archive#
It was our archive historian and investigator extraordinaire Brian Kehew who discovered a group of musicians from the Austrian record label and platform Moozak who have been followers and fans of Max Brand. Ever the toolmaker, he was intrigued and inspired by new projects. In the year since the initial discovery of the Moogtonium documentation, I shared the collection of notes and schematics with a few trusted industry gurus, who agreed that this was indeed an important discovery, as it demonstrates the variety of work that Bob took on outside of the world of his more well-known creations. The instrument was ultimately delivered in 1968.
The two men worked for two years to develop the instrument, with Bob building and Brand honing needed specifications and capabilities. Bob, still in the early phases of developing the Moog modulars, agreed. It was Sala’s version that interested Max Brand.īrand learned of Bob Moog’s early work in creating synthesizer modules, and contacted him about building a version of this rare instrument. You can read more about the instrument here and see a fantastic video of Sala playing the instrument here.
Sala’s instrument, the Mixture Tratonium, was famous for its subharmonic oscillators and ribbon controller interface (instead of a keyboard). Max Brand, was an Austrian avant-garde composer living in New York City, was searching for someone to build him a version of a Trautonium, an early electronic musical instrument invented in 1929 by Friedrich Trautwein and later perfected by Oskar Sala.
#Japji sahib meaning generator#
Max Brand’s specifications for Mixture-Trautonium p.2īob’s schematic for the Moogtonium Subharmonic Generator Max Brand’s Specifications for Mixture-Trautonium Bob’s Initial Specifications for the Moogtonium, July 16, 1966
0 kommentar(er)
